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Theo Meier (1908-1982)
'Painter of the Tropics'



Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return for which they could choose one of Meier’s paintings upon his return.

 

In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the primitive simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The best drawings were made during his first “delirious” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies, who guided Theo to a deeper understanding of Balinese culture and invited him to his small mountain retreat in the village of Iseh (for a beautiful painting of Iseh by Meier see Uit Verre Streken, March 2018, nr. 60). In 1938 he married a young girl from the village, Ni Madé Mulugan, and in June 1939 his first daughter was born. In 1941 he divorced Ni Madé and a year later remarried his favourite model, Madé Pegi.

Theo Meier Drawing of a Balinese Girl, 1953

Theo Meier (1908-1982)


Female half-nude, Bali

Signed and dated 1953 lower left

Sanguine on paper, H. 49 x W. 65 cm

Theo Meier (1908-1982)  “A Balinese woman with offerings”, Mankok

Theo Meier (1908-1982)

“A Balinese woman with offerings”

Signed, dated '36 and annotated Mankok (the name of the sitter) lower left

Sanguine on paper, 57 x 41.5 cm
 

In a hand-made and hand-painted frame with address: Max Knöll, Herberggasse 4/1, Basel.


Provenance:
Private collection, Basel (acquired directly from the artist)
Private collection, London

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